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The Town at the End of the World: Review of The Girl Who Died by Ragnar Jónasson

Ragnar Jónasson’s latest mystery includes one of the best hooks I’ve read recently, although, curiously, it is not the book’s opening line: “Teacher wanted at the edge of the world.” Feeling adrift in her life in Reykjavik, Iceland, Una applies for and then accepts a teaching position to work with two students in the isolated village of Skálar which consists of about ten people. Upon arrival, Una rather quickly revises any idyllic notions she had of the smallest of small-town living. The repeated hauntings of a young girl singing a lullaby and playing the piano in the middle of the night within Una’s apartment only enhance the town’s grim winter atmosphere. Meanwhile, as Una tries to determine if these hauntings are real or simply nightmares, Jónasson interweaves her story with first-person accounts of a murder and wrongful conviction that initially has no relationship to the town of Skálar.

Photo Courtesy of Visit North Iceland

Jónasson is a skilled writer who manages to convey nuance without overwriting or slowing his narrative’s pace. I felt immersed in the story very quickly despite never having been anyplace like Skálar, or even Iceland for that matter. Una’s backstory and upbringing, although parsed out throughout the course of the novel, portrayed a complicated character with conflicting motivations and impulses that made her an interesting protagonist to follow. In addition to his characters, Jónasson’s setting is also unique among so many metropolitan mysteries complete with an experienced police detective. According to the author’s note accompanying my Net Galley copy, Skálar is a real place, although it was abandoned several decades before the 1980s setting of The Girl Who Died. (See the image above for a glimpse of the real-life Skálar.) The town provides an ideal location for a Gothic mystery with so many layers of history waiting to be excavated. In fact, the remote setting paired with the child ghost and Una’s teaching position was all reminiscent of Henry James’ The Turn of the Screw. Ultimately, though, Jónasson fails to fully capitalize on this environment. Just as the novel’s various strands come together the book is over, and it’s a credit to the writing that I wanted The Girl Who Died to continue. Without revealing any plot points, I wished Jónasson had written further about the ramifications of the various mysteries he unravels. He sets up so ably the struggle to join a community but then doesn’t really explore the cost of belonging once a character like Una joins such an exclusive group as the town of Skálar.

Even with these criticisms, I look forward to reading more of Jónasson’s work, particularly the Hulda series which received excellent reviews. If you’re not yet ready to travel this summer, The Girl Who Died would be a wonderful escape into a completely different physical and psychological landscape.

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Get Me to the Church on Time: PBS Premiere of Grantchester

As spring rainstorms give way to humidity and mosquitoes, my thoughts turn to mystery and murder, particularly the PBS kind. I know that summer has truly begun when the network’s mystery lineup begins.

Robson Green and Tom Brittney in Episode #5.1 (2020)

This year Grantchester kicks off the PBS summer mystery season on Sunday, June 14th at 9pm. Based on a series of books by James Runcie, the TV series has retained the original premise of a vicar and police detective solving crime in the quintessential British village of Grantchester. (It does not retain all the books’ original characters as last season saw vicar Sidney Chambers (James Norton) replaced by Will Davenport (Tom Brittney).)

Grantchester’s mysteries tend to veer away from violence and gore and towards moral quandaries, ideal thematic ground for a policeman and minister. Despite its cozy trappings of fifties conformity, Grantchester consistently looks more critically at life in this decade by depicting gay characters, women working outside the home, and couples’ marital troubles.

Five seasons in Grantchester contains a fair amount of serialized storytelling as opposed to being a straight procedural. However, it’s not so complex that new viewers should be put off from joining the congregation. The excellent supporting cast make the show’s character work equally as compelling as its mysteries (sometimes more so). Of particular note are Leonard, a fellow clergy member, played to perfection by Al Weaver, Mrs. Maguire (Tessa Peake-Jones), the vicarage’s housekeeper, and Cathy (Kacey Ainsworth), the detective’s much-too-good-for-him wife.

Far from a mindless escape from reality, Grantchester takes you to a different time and place with plenty to consider. Tune in and let me know what you think!

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Review of Such a Fun Age by Kiley Reid

Kiley Reid’s Such a Fun Age, one of my favorite new releases this year, pairs page-turning plot twists with well-developed characters and stellar writing. Alternating between two perspectives, a white mother of two in her thirties and a black babysitter in her twenties, Reid unspools her story of these two women fumbling through different chapters of their lives. (I don’t want to reveal more of the plot than that because experiencing it unfold was a huge point of interest while I was reading.)

Photo by Anastasia Zhenina on Pexels.com

Reminiscent in all the best ways of Celeste Ng’s Little Fires Everywhere in its discussion of the politics of race and motherhood, Reid embraces the absurd humor of each of her characters’ situations without sacrificing the emotional realities of the story’s more somber moments.

Each type of experience Reid portrays: racism, babysitting long term for a family, the relationship between viral media and the news cycle, feels completely grounded in reality and specific to the character living it. In particular, the relationship the babysitter develops with her charges and the way Reid fleshes out the toddler character feels realistic without ever becoming overly precious.

After reading her debut novel, I’m eagerly awaiting Reid’s next release.

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New Reading Rituals

Photo by Pixabay on Pexels.com

As I keep adjusting to the confines of the stay-at-home lifestyle, I’ve been thinking about how much ritual has helped me create an illusion of normalcy when so much of my old routine is gone. By the way, don’t worry that this is another reminder to “create a schedule!” during a time when almost all normalcy is gone. I understand the sentiment that a schedule can help us to avoid staying in our pajamas until 4pm. Totally random example there. Don’t think too much about it. Moving on!

As practically every media outlet recommends creating a schedule, I have indulged more and more in doing what I most felt like at the time I most felt like doing it. As I return to a more consistent work schedule, rituals have helped me balance my own calendar anarchy with the need for structure. For me, rituals consist of a series of repeated actions that bring a sense of comfort. The rituals I perform on a regular basis tend to happen around the same time of day or day of the week but since it’s something that is pleasurable rather than a necessity, I’m free from rigid scheduling or guilt if it just doesn’t happen.

Tuning back in to abandoned rituals means I’ve reinstated my Sunday night viewings of PBS British drama imports, something I’ve been doing on and off since college. I look forward to my Sunday nights all week and, when the time comes, I find that I’m surprisingly ‘present,’ as mindfulness experts might say. Anxious thought spirals are paused, at least for the run time of Call the Midwife.

I’ve also found myself creating new reading rituals as books help remove me from the pandemic mindset. Practicing even just one of my new reading rituals gives more shape to the blank-calendar schedule of so many of my days.

My new rituals have addressed two problems: reading clutter and emotional calm. I define reading clutter as a sector of your library that has outgrown the storage space allotted or has been sitting on the shelf for too long. Like many readers, I tend to amass way more reading material than I can possibly consume. Seeing all that stuff sitting on my shelves and piling up on my e-reader inspired me to attack some of it during the stay-at-home order.

Currently, periodicals are the hardest thing for me to keep under control because  . . . they just keep coming! Apparently even my strong sense of denial is no match for the panic I feel when new issues begin piling up. To that end, my new breakfast companion is a magazine. My backlog (which I must confess still contained Halloween issues at the beginning of the stay-at-home order, the shame) has dwindled to a manageable stack of under ten! At breakfast, the short article length is a nice way to wake up my brain and think about non-pandemic topics. In addition, even if I linger over my coffee and reading, hitting the last page is a good reminder to get up and do something else.

It seems like talking about how much or how little we’re sleeping is one of the few topics of conversation we have left now that we’re mostly doing nothing. Bedtime reading is another great way to diminish reading clutter and influence how you feel before sleep. I’ve started reading a comic book/graphic novel issue before bed each night. Graphic novels were another sector of my library that I hadn’t explored in a while. Like magazines, the brief issue length means there’s a built-in stopping point that prevents me from reading for the hours I should actually be sleeping. Additionally, turning to a beautifully drawn comic with minimal text seems to really help my brain shift into a lower gear. Surprisingly, I’ve been sleeping much better since I started doing this, waking up much less (or not at all) during the night.

I framed my quarantine days by waking up with magazines and going to bed with comics. Go wild redesigning your reading life. It’s one thing over which you have absolute control.

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Read Like a Kid: Picture Book Edition

I’ve been a long-time fan of children’s and YA books. Now that I’m at home reading more than ever while simultaneously clinging to my sanity, working kid and teen books into my rotation has added some great variety to my bookshelf. Below are my picks for fun picture books to enjoy!

Photo by cottonbro on Pexels.com

Strega Nona and Quiet, Tomie dePaola

It’s a wonderful time to explore (or revisit) Tomie dePaola’s work as he unfortunately passed away a few weeks ago. As a kid, I adored all of his Strega Nona books which are magical, funny, and ultimately heartfelt. Strega Nona means grandmother witch in Italian and these stories feature this sorceress’s adventures in her Italian village alongside lovable sidekicks like Big Anthony and Bambolina.

dePaola’s work features a variety of cultures and time periods. Quiet is a more recent book that readers can especially appreciate now. In Quiet, a grandfather teaches his grandchildren about sitting calmly outside together. Anyone who’s beginning to practice mindfulness or wants to introduce meditation to little kids should read Quiet. Who couldn’t use a little more calm today?

Be Quiet and We Don’t Eat Our Classmates, Ryan Higgins

I love the sense of humor Higgins’ books portray! Be Quiet is excellent for slightly older kids who still like having a story read to them (or are starting to read to the grownups). The book features Rupert, a mouse who aspires to create a ‘very serious and artistic’ picture book with no words. Unfortunately, his friends cannot stop talking! Much of the humor relies on wordplay so it could be a fun addition to at-home English classes.

Younger kids can enjoy Higgins’ We Don’t Eat Our Classmates. Penelope the dinosaur learns about going to school and how to be empathetic in this cute tale. Look for its sequel, We Will Rock Our Classmates, to be released July 7th.

Don’t Feed the Coos, written by Jonathan Stutzman and illustrated by Heather Fox

Don’t Feed the Coos is a crowd-pleaser that follows the structure of If You Give a Mouse a Cookie by Laura Numeroff. If you feed a flock of pigeons, hilarity and chaos will ensue! The story pairs delightfully with Fox’s illustrations, admirably capturing the antics of those pesky coos! Stutzman and Fox have previously collaborated professionally on the Llama Destroys the World books and are spouses as well!